Beth Harrington's documentary The Winding Stream is in post-production, and needs funds to help tell the story of recorded country music's two premier families, the A.P. Carter family and the Cash family, a heritage that stretches through popular music from the 1920s to the 21st century. After a years-long process of gathering unique interviews, archival footage and historical sleuthing, the film-maker is recruiting anyone who would like to help in a "street team" to get the word out through showings and publicity -- and, most helpfully, financial contributions to complete the project.
The Winding Stream recounts the Carter and Cash family history in interviews and film clips,
photographs and fond memories: Johnny and June Carter Cash, George
Jones, Rosanne Cash, Sheryl Crow, Kris Kristofferson and others tell
the Carter story and perform songs that have become part of American lore: "Wildwood Flower," "Can the Circle Be Unbroken," "Keep on the
Sunny Side" -- all songs that A.P., Sara and Maybelle recorded for
Victor in their first Camden studio session in 1928.
What
made these songs unique, as Harrington writes, wasn't that the Carters
simply recreated existing tunes. A.P. Carter was a song composer as well
as a collector, and his ability to craft new tunes from old country
melodies caught the public imagination. Along with Maybelle's featured
guitar-playing (its simplicity and sound were rarely heard on records at
the time) and Sara's "eerie Gothic" vocals, the music was a new sound
available to everyone with a Victrola 78-rpm phonograph machine in their
home.
Very
quickly, the Carters became a sensation. The family's songs of longing
and loss, love and hope were a new twist on old themes that would
inspire others like Jimmie Rodgers and then Hank Williams, whose own
songs made country music a staple on radio stations across the country.
The Winding Stream
documentary -- its name is taken from a song written by A.P. in 1930 --
traces this history not just for country music fans but for a wider
audience, who may not recognize the Carters' impact on folk and rock
music as well. Carter Family songs have been covered in an array of
styles from Dylan to Jeff Buckley, The Black Crowes to John Lee Hooker
(both the Crowes and Hooker have performed "Can the Circle Be Unbroken"
-- a fact that A.P. himself would likely find amusing, if a bit too loud
for his ears).
Beth Harrington
Beth Harrington's previous documentaries cover an array of topics, several created for Oregon Public Broadcasting: Beervana is a light-hearted look at Oregon's craft-brewed beer industry. Blinking Madonna
is a study of a Boston-area group of Catholics who see a statue of the
Virgin Mary blink its eyes, and the ensuing press coverage that follows.
The Grammy-nominated Welcome to the Club: The Women of Rockabilly (2003) features Wanda Jackson, whose 2011 album was produced by Jack White of the White Stripes.
Harrington's The Winding Stream
90-minute documentary is in need of money to complete the
project and contributions are always welcome. Last year a Kickstarter benefit went a good way to
raise funding, and earlier this year Beth presented a rough cut of the documentary as a selection at the Big Sky Film Festival in Montana. The Winding Stream website
includes current updates, as well a link where
contributions can be made through Paypal, or by mail to the fiscal
sponsor, Center for Independent Documentary, 680 South Main Street.
Sharon, MA 02067.
A few sources on Carter Family members and extended family are available for readers interested in learning more. Will You Miss Me When I'm Gone by
Mark Zwonitzer and Charles Hirshberg tells a thorough history of the
Original Carter Family in anecdotes and research, with no hiding the
fact that the family had many problems that underlay the popularity of
the music, from divorce and love affairs to Johnny Cash's battle with
alcohol and drugs. Yet it's a testament to the longevity of the music
that these stories (some told for the first time) make the Carter family
history one that resonates with many of its fans.
If you're interested in helping The Winding Stream reach the widest possible audience, friend the Facebook page, contact the film-maker, and contribute or volunteer to get the word out. Beth is currently running a historical almanac of Carter family history through the Facebook page, and it's an amazing tale of life in the age of shellac sides and countless radio station performances. A little more history is included below.
The Carter Family: Maybelle, A.P., and Sara
Oh give to me a winding streamIt must not be too wideWhere waving leaves from maple treesDo meet from either sideThe water must be deep enoughto float a small canoeWith no one else but youDo not disturb my waking dreamthe splendor of that winding streamFlower in my canoe, his eyesthey looked me throughThat someone there with golden hairis very much like you
The
"winding stream" of country music has at it source the Carter family of
Maces Springs, Virginia: A.P. Carter, his wife Sara, and his sister
Maybelle. They recorded their first 78 rpm record at an audition in
Bristol, Tennessee, in 1927, then traveled to Camden, NJ in 1928 for
the Victor Talking Machine company. Their songs were released just at
the time when radio was becoming the popular entertainment medium, and
The Carter Family became the first stars of what became known as country
music: by 1931 they had sold an astonishing 300,000 records in the U.S.
The
popularity of the Carter family name is stronger than ever, thanks to
the efforts of many musicians who have revived the tradition and kept it
alive. The music of succeeding family members themselves has shown an
amazing versatility: Johnny and June Carter Cash, Carlene Carter,
Rosanne Cash all carried on in the family tradition, each with a unique
approach to country music.
Rosanne Cash's 2010 memoir Composed is
her own story of becoming a songwriter. Self-described as a "pudgy,
withdrawn girl .. a counterfeit with a strange, hidden life," the young
Rosanne is afraid of being compared to her famous father, Johnny Cash.
She travels to Munich to record her own demo songs, and her
coming-of-age story is a new telling of the Cash family story (she is
the daughter of Cash's first wife, Vivian) from a perspective that is
poignant, loving, and sometimes heart-breaking.
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