Showing posts with label information access. Show all posts
Showing posts with label information access. Show all posts

Friday, June 27, 2014

Carbon footprints in the sand: the environmental impact of pixel vs print




The twenty-four hour news cycle and the web have their unintentioned benefits (the specter of Ann Coulter commenting on the un-American nature of soccer can be out of one's consciousness within 24 hours, thank goodness.) The permanence of the printed word, too, itself continues to inspire hope in some unusual corners -- the information on the web can't be piled up for later reading-and-tossing quite like newsprint: you have to go look for what you want on the web. but on the other hand, the jury's still out on the environmental impact of pixel vs. newsprint.

The New York Times  ran an article in its Paper Cuts blog about the ongoing question of the web's environmental impact versus newspapers' "dead-tree existence" -- Nicholson Baker finds that electronic server farms may have a broader ecological impact than the processing of ink and newsprint -- and existing research figures suggest a somewhat-frustrating draw about the relative impact of each.

Until the web can be piled up like the Sunday paper in black, smudgy drifts next to the Barcalounger, it seems like newsprint will survive in some form far more messy than Kindle, and more reliably necessary than cable news. Here's an excerpt from the Jennifer Schuessler article, which can be read in full at The New York Times.

Dave Eggers, the fledgling press baron behind The San Francisco Panorama, the much-ballyhooed (and drop-dead gorgeous) newspaper released in December by the McSweeney’s gang, has been making the rounds with his full-throated argument that the future of the news business can be written not just in pixels but with old-fashioned paper and ink.

“There are a lot of things that newsprint can do uniquely well that the Web cannot,” Eggers recently told The Chicago Tribune. “The two forms could coexist, instead of the zero-sum situation that we seem stuck in.”

As it happens, The Panorama includes an apologia for its own glorious dead-tree existence, in the form of an essay by the novelist Nicholson Baker considering “the strange possibility that the transferring of information digitally is more environmentally destructive than printing it.” (Alas, and perhaps to the point, Baker’s article, along with most of The Panorama, is not available online.)

Baker, who is on record as loving Wikipedia and Google but not the Kindle, visits the Otis paper mill in Jay, ME., which was once the world’s largest but was shut down forever last spring. The shuttering of Otis may seem like good news for trees. But the biggest threat to the Maine woods, Baker suggests, isn’t logging. It’s the kind of low-density development that comes when the logging stops.

As Don Carli, a research fellow at the Institute for Sustainable Communication, put it to Baker, “Hamburgers and condos kill more trees than printed objects ever will.”

As Baker reports, some 18 paper mills closed in the United States in 2009, with more than 34 paper machines permanently shuttered. Meanwhile, the growth rate of the huge server farms needed to fuel the Internet and related gadgets is “metastasizing,” as Carli puts it to Baker.

The carbon footprint of data center server farms — roughly equal to that of paper mills today — is set to double in the next five years. And those server farms are often powered by coal, which tends to be harvested in far less sustainable ways than wood pulp. ...

Right now, there are no good accountings of the environmental impact of pixels versus paper. Until we have a better understanding, Carli said, let’s stop green-bashing the print media.

“It may provide more benefit to the environment and society than you realize,” he said. “Print itself doesn’t have a larger footprint than digital.” Without better measurements, “you can’t really make a case either way.” ...

Sunday, June 15, 2014

JSTOR slowly opens the gates of academy research



If you've ever run into the frustrations of discovering an interesting article is out-of-reach behind JSTOR, the gate-keepers of academia, here's some (limited) good news: JSTOR will make available the beta version of a new program, Register & Read, which will give researchers read-only access to some journal articles, no payment required.

Jennifer Howard at Wired Campus reports that there are some strings attached, and the accessible journals constitute just eighteen percent of JSTOR's annual requests. In the article Howard reports that JSTOR said it turns away almost 150 million individual attempts to gain access to articles yearly.

That is a lot of potential paying customers. Here's the fine print of JSTOR's free beta, from Howard's post:

... Users won’t be able to download the articles; they will be able to access only three at a time, and there will be a minimum viewing time frame of 14 days per article, which means that a user can’t consume lots of content in a short period. Depending on the journal and the publisher, users may have an option to pay for and download an article if they choose.

To start, the program will feature articles from 70 journals. Included in the beta phase are American Anthropologist, the American Historical Review, Ecology, Modern Language Review, PMLA, College English, the Journal of Geology, the Journal of Political Economy, Film Quarterly, Representations, and the American Journal of Psychology .

The 70 journals chosen “represent approximately 18 percent of the annual turn-away traffic on JSTOR,” the organization said in an announcement previewing Register & Read.


Howard also reports that the relative success of JSTOR's 2011 access-test program, Early Journal Content, has been a prompt to further public access, though likely through some kind of eventual paywall.

....In September 2011, JSTOR also opened up global access to its Early Journal Content. According to Heidi McGregor, a spokeswoman for the Ithaka group, JSTOR’s parent organization, there have been 2.35 million accesses of the Early Journal Content from September 2011 through December 2011. ...”We absolutely consider this to be a success. In the first four months after launch, we are seeing over 1 million accesses to this content by people who would not have had access previously. This is at the core of our mission, and we’re thrilled with this result. The Register & Read beta is an exciting next step that we are taking, working closely with our publisher partners who own this content.”

The number of annual denied requests has raised questions -- perhaps mostly among frustrated researchers, or the merely curious who like to read beyond their college years -- that JSTOR has been searching for a pay-tier system, as well as waving away scholarly research criticism.

By offering the new program, JSTOR is making some tentative and potentially lucrative steps to its information access, just at the time when web neutrality is at issue. The key is in McGregor's phrase "our publisher partners who own this content": the answer to JSTOR access, it appears, will be in the paying price for information.

Tuesday, May 27, 2014

Notes on "Notes of a Dirty Old Man," Charles Bukowski





For those who can't remember past the work of Edward Snowden, here's some real old-school covert surveillance: bukowski.net has posted more than one hundred pages of the poet's FBI files going back to 1968. 

Sure, Martin Luther King was being taped at the same time that year in hotel rooms, but the FBI's resources were apparently limitless. It's interesting to note the amount of redacted material: the poet's newspaper column for the alternative press, "The Notes of a Dirty Old Man," was pretty steamy material, and it brought the poet to trial as being mailed "under obscene cover" by the Post Office. 

The "discreet efforts" to verify Bukowski's employment background were headed toward potential obscenity charges -- it was noted he was "employed by the Post Office" in 1968. Imagine the official outrage, if not the actual irony: a postal employee sending obscene material through the mail ... 

At one point Bukowski's uncouth pronouncements attracted even more scrutiny from the FBI: he was suspected of being the Unabomber. Now the agency has released files showing it kept tabs on hundreds of writers, including Bukowski. Apparently, being dead is a good way to eliminate FBI spying.

The full file of 113 documents is online at bukowski.net. Here are two samples, which can be enlarged by clicking on the images.




Tuesday, March 11, 2014

Alfred Jarry's work (finally) surfaces on UbuWeb





UbuWeb, the ever-growing repository of art, music, and general cultural chaos that appears to function on air alone, has announced it will feature the works of its namesake -- at last. Here's the welcome news, told with appropriate tongue-in-cheek mischief, on the website, with promises of more to come. 

Alfred Jarry Finally Appears on UbuWeb From our FAQ: Why is there no Alfred Jarry on UbuWeb? 
Answer: ;) It is our 'pataphysical joke. 
Sixteen years later, we've decided enough is enough. Hence, we've beefed up our Jarry audio archive [MP3s] with some archival Ubuesque cabaret chansons penned by Jarry and his pals, a French radio documentary on Jarry [Alfred Jarry: Introduction à la vie et l'ouvre du créateur d' Ubu Roi] and a lecture by Jarry scholar Michael Taylor of the Philadelphia Museum of Art. 


We've also posted the first of many film versions of Ubu Roi to come, this one directed by Jean-Christophe Averty in 1965, which is a rollicking mix of live acting and animation, all in glorious black and white. We do hope you'll forgive us. 

Sunday, December 15, 2013

Carbon footprints in the sand: the growing divide between newsprint and digital delivery



Much as the twenty-four hour news cycle and the web have their benefits (the web's attention-span disorder promises a clean slate, or a high boredom quotient, ever more rapidly -- good news for politicians at least), the permanence of the printed word itself continues to inspire hope in some unusual corners -- Jeff Bezos, of Amazon, purchased the venerable Washington Post in a move that promises unexpected surprises in the new year. 

The information on the web can't be piled up for later reading-and-tossing quite like newsprint -- you have to go look for what you want on the web -- but on the other hand, the jury's still out on the environmental impact of pixel vs. newsprint. More than likely the Amazon/Post combine will ultimately seem a good advertising and marketing move for a merchandiser's future, rather than a valiant effort to maintain print media's status quo.

The New York Times recently ran an article in its Paper Cuts blog about the ongoing question of the web's environmental impact versus newspapers' "dead-tree existence" -- Nicholson Baker finds that electronic server farms may have a broader ecological impact than the processing of ink and newsprint, and existing research figures suggest a somewhat-frustrating draw about the relative impact of each.

Until the web can be piled up like the Sunday paper in black, smudgy drifts next to the Barcalounger, it seems like newsprint will survive in some form far more messy than Kindle, and more reliably necessary than cable news. Here's an excerpt from the Jennifer Schuessler article, which can be read in full at The New York Times.


Dave Eggers, the fledgling press baron behind The San Francisco Panorama, the much-ballyhooed (and drop-dead gorgeous) newspaper by the McSweeney’s gang, has been making the rounds with his full-throated argument that the future of the news business can be written not just in pixels but with old-fashioned paper and ink.

“There are a lot of things that newsprint can do uniquely well that the Web cannot,” Eggers recently told The Chicago Tribune. “The two forms could coexist, instead of the zero-sum situation that we seem stuck in.”

As it happens, The Panorama includes an apologia for its own glorious dead-tree existence, in the form of an essay by the novelist Nicholson Baker considering “the strange possibility that the transferring of information digitally is more environmentally destructive than printing it.” (Alas, and perhaps to the point, Baker’s article, along with most of The Panorama, is not available online.)
Baker, who is on record as loving Wikipedia and Google but not the Kindle, visits the Otis paper mill in Jay, Me., which was once the world’s largest but was shut down forever last spring. The shuttering of Otis may seem like good news for trees. But the biggest threat to the Maine woods, Baker suggests, isn’t logging. It’s the kind of low-density development that comes when the logging stops.

As Don Carli, a research fellow at the Institute for Sustainable Communication, put it to Baker, “Hamburgers and condos kill more trees than printed objects ever will.”

As Baker reports, some 18 paper mills closed in the United States in 2009, with more than 34 paper machines permanently shuttered. Meanwhile, the growth rate of the huge server farms needed to fuel the Internet and related gadgets is “metastasizing,” as Carli puts it to Baker.

The carbon footprint of data center server farms — roughly equal to that of paper mills today — is set to double in the next five years. And those server farms are often powered by coal, which tends to be harvested in far less sustainable ways than wood pulp. ...

Right now, there are no good accountings of the environmental impact of pixels versus paper. Until we have a better understanding, Carli said, let’s stop green-bashing the print media.

“It may provide more benefit to the environment and society than you realize,” he said. “Print itself doesn’t have a larger footprint than digital.” Without better measurements, “you can’t really make a case either way.” ...

Friday, November 22, 2013

"Access to a Legacy": The Kennedy papers, now online




The John F. Kennedy Presidential Library and Museum is now providing access to 250,000 documents from the Kennedy Library online. This is the first move toward making a large portion of the library's material digitally available, free of charge. The 35th president himself pledged to make all of his papers publicly available more than fifty years ago. All together, this will account for approximately eight million pages of library materials, out of a total of 48 million pages of documents in the archives.

In a recent press release Caroline Kennedy states that "it is our hope that the Library’s online archive will allow a new generation to learn about this important chapter in American history. And as they discover the heroes of the civil rights movement, the pioneers of outer space, and the first Peace Corps volunteers, we hope they too are inspired to ask what they can do for their country.” 

Curators have chosen to make 200 hours of audio and video available as well, often-requested material that historians and the general public use for research. This includes an initial collection marking the fiftieth anniversary of 
Kennedy's 1961 inauguration. From The New York Times article by Katie Zezima:

“Until now, if people wanted to see the documents they had to come to Boston, go to our research room and we’d pull out boxes,” said Thomas J. Putnam, director of the library. “Now anyone with access to a computer with an Internet connection could replicate that experience.” 
This release is to be the first of many, Mr. Putnam said, and the library started with the files most used by researchers, including Kennedy’s office files, personal papers and correspondence. Also included are recorded telephone calls between Kennedy and heads of  state. 
“Literally these were the pieces of paper that went across his desk, that have his handwriting on it, his speech drafts, his doodles,” Mr. Putnam said. 
Mr. Putnam said it was impossible to digitally archive all 48 million pages of documents the library holds, but the goal is to get about eight million pages online. He hopes the next release will include national security files, more television video and documents relating to civil rights 
The digital archives are searchable. Entering “inaugural address,” for example, brings up a draft by Theodore C. Sorensen, Kennedy’s speechwriter, and video of the event. 
Telephone calls include one between Kennedy and former President Dwight D. Eisenhower discussing the Cuban missile crisis.
Caroline Kennedy said the goal of the project was to make her father’s presidency and legacy accessible to a generation raised on computers.

More information about the digital project, called Access to a Legacy, is available at the John F. Kennedy Presidential Library and Museum website. The library's searchable interface includes photographic and audio components (the President's Office Files, the White House Central Chronological Files, and the John F. Kennedy Personal Papers); one collection of audio files (the White House Audio collection); one moving image collection (the White House Film collection); one collection of museum artifacts (the State Gifts); and a portion of the White House Photograph collection, which consists of over 35,000 photographs.

(Photo of John F. and Robert F. Kennedy in the Oval Office by Art Rickerby.)

Tuesday, November 19, 2013

UbuWeb, still "breaking all the rules, by going about things the wrong way"




UbuWeb has reached its fifteenth anniversary and still rolling -- quite an accomplishment for an arts website run by volunteers, with content skirting copyright requirements, and financed on the proverbial shoestring. If you're unfamiliar with the delights available at UbuWeb, it's worth a browse, always challenging, often surprising, and frequently offbeat: while you won’t find reproductions of Dalí’s paintings on UbuWeb, you will find a 1967 recording of an advertisement he made for a bank.

Here's an excerpt from founder Kenneth Goldsmith's post at Harriet, the blog at Poetry magazine. 

It’s amazing to me that UbuWeb, after fifteen years, is still going. Run with no money and put together pretty much without permission, Ubu has succeeded by breaking all the rules, by going about things the wrong way. UbuWeb can be construed as the Robin Hood of the avant-garde, but instead of taking from one and giving to the other, we feel that in the end, we’re giving to all. ...
The socio-political maintenance of keeping free server space with unlimited bandwidth is a complicated dance, often interfered with by darts thrown at us by individuals calling foul-play on copyright infringement. Undeterred, we keep on: after fifteen years, we’re still going strong. We’re lab rats under a microscope: in exchange for the big-ticket bandwidth, we’ve consented to be objects of university research in the ideology and practice of radical distribution.
But by the time you read this, UbuWeb may be gone. Cobbled together, operating on no money and an all-volunteer staff, UbuWeb has become the unlikely definitive source for all things avant-garde on the internet. Never meant to be a permanent archive, Ubu could vanish for any number of reasons: our ISP pulls the plug, our university support dries up, or we simply grow tired of it.
Acquisition by a larger entity is impossible: nothing is for sale. We don’t touch money. In fact, what we host has never made money. Instead, the site is filled with the detritus and ephemera of great artists—the music of Jean Dubuffet, the poetry of Dan Graham, Julian Schnabel’s country music, the punk rock of Martin Kippenberger, the diaries of John Lennon, the rants of Karen Finley, and pop songs by Joseph Beuys—all of which was originally put out in tiny editions and vanished quickly. ...
How does it all work? Most importantly, UbuWeb functions on no money: all work is done by volunteers. Our server space and bandwidth is donated by several universities, who use UbuWeb as an object of study for ideas related to radical distribution and gift economies on the web. In terms of content, each section has an editor who brings to the site their area of expertise.
Ubu is constantly being updated but the mission is different from the flotsam and jetsam of a blog; rather, we liken it to a library which is ever-expanding in uncanny—and often uncategorizable—directions. Fifteen years into it, UbuWeb hosts over 7,500 artists and several thousand works of art. You’ll never find an advertisement, a logo, or a donation box. UbuWeb has always been and will always be free and open to all...
Kenneth Goldsmith

We’re distressed that there is only one UbuWeb: why aren’t there dozens like it? Looking at the art world, the problem appears to be a combination of an adherence to an old economy (one that is working very well with a booming market) and sense of trepidation, particularly in academic circles, where work on the internet is often not considered valid for academic credit. As long as the art world continues to prize economies of scarcity over those based on plentitude, the change will be a long time coming.
And yet . . . it could vanish any day. Beggars can’t be choosers and we gladly take whatever is offered to us. We don’t run on the most stable of servers or on the swiftest of machines; hacks and crashes eat into the archive on a periodic basis; sometimes the site as a whole goes down for days; occasionally the army of volunteers dwindles to a team of one.

But that’s the beauty of it: UbuWeb is vociferously anti-institutional, eminently fluid, refusing to bow to demands other than what we happen to be moved by at a specific moment, allowing us flexibility and the ability to continually surprise our audience . . . and even ourselves.

Thursday, September 5, 2013

Notes on "Notes of a Dirty Old Man": 113 pages of FBI files on Bukowski

Real old-school covert surveillance: bukowski.net has posted more than one hundred pages of FBI files going back to 1968. It's interesting to note the amount of redacted material; apparently the "Notes of a Dirty Old Man" were pretty steamy material for someone, mailed "under obscene cover." More likely the "discreet efforts" to verify Bukowski's employment background were headed toward potential obscenity charges -- he was "employed by the Post Office" in 1968. Imagine the official outrage, if not the actual irony: a postal employee sending obscene material through the mail ... 

The full file of 113 documents is online at bukowski.net. Here are two samples, which can be enlarged by clicking on the images.





Thursday, July 25, 2013

JSTOR slowly opens up the gates to academic research



If you've ever run into the frustrations of discovering an interesting article is out-of-reach behind JSTOR, the gate-keepers of academia, here's some (limited) good news: JSTOR will make available the beta version of a new program, Register & Read, which will give researchers read-only access to some journal articles, no payment required.

Jennifer Howard at Wired Campus reports that there are some strings attached, and the accessible journals constitute just eighteen percent of JSTOR's annual requests. In the article Howard reports that JSTOR said it turns away almost 150 million individual attempts to gain access to articles yearly.

That is a lot of potential paying customers. Here's the fine print of JSTOR's free beta, from Howard's post:

... Users won’t be able to download the articles; they will be able to access only three at a time, and there will be a minimum viewing time frame of 14 days per article, which means that a user can’t consume lots of content in a short period. Depending on the journal and the publisher, users may have an option to pay for and download an article if they choose.

To start, the program will feature articles from 70 journals. Included in the beta phase are American Anthropologist, the American Historical Review, Ecology, Modern Language Review, PMLA, College English, the Journal of Geology, the Journal of Political Economy, Film Quarterly, Representations, and the American Journal of Psychology .

The 70 journals chosen “represent approximately 18 percent of the annual turn-away traffic on JSTOR,” the organization said in an announcement previewing Register & Read.


Howard also reports that the relative success of JSTOR's 2011 access-test program, Early Journal Content, has been a prompt to further public access, though likely through some kind of eventual paywall.

....In September 2011, JSTOR also opened up global access to its Early Journal Content. According to Heidi McGregor, a spokeswoman for the Ithaka group, JSTOR’s parent organization, there have been 2.35 million accesses of the Early Journal Content from September 2011 through December 2011. ...”We absolutely consider this to be a success. In the first four months after launch, we are seeing over 1 million accesses to this content by people who would not have had access previously. This is at the core of our mission, and we’re thrilled with this result. The Register & Read beta is an exciting next step that we are taking, working closely with our publisher partners who own this content.”

The number of annual denied requests has raised questions -- perhaps mostly among frustrated researchers, or the merely curious who like to read beyond their college years -- that JSTOR has been searching for a pay-tier system, as well as waving away scholarly research criticism.

By offering the new program, JSTOR is making some tentative and potentially lucrative steps to its information access, just at the time when web neutrality is at issue. The key is in McGregor's phrase "our publisher partners who own this content": the answer to JSTOR access, it appears, will be in the paying price for information.

Saturday, June 8, 2013

Naropa University archive is now online: a list with links, from The Allen Ginsberg Project




















THE NAROPA UNIVERSITY DIGITAL ARCHIVE 

Great news! Naropa's extraordinary audio archive (hitherto hosted as part of the estimable Internet Archive) has now been upgraded, refurbished and newly-hosted by Naropa University - The JKS (Jack Kerouac School) audio collection (part of a wider collection held by the university) is now available and ready for on-line exploration and practical use here 


Close to 2,000 (1,925) recordings are now immediately accessible. (A further 1,500 - 1, 800 more have been digitalized and will subsequently be made available - and this is just the JKS component!).


As Naropa, on their web-site, declare:  


"The Naropa University Digital Archive is an ongoing project to preserve the institutional heritage of our university by making available all institutional audio and video files created from our inception in 1974 up through today. This collection will continue to grow as new recordings are created every year and will include audio and video from every program Naropa University offers."


An astonishing trove of material (we'll be drawing from it extensively in the months (years) ahead). 
We asked Archivist, Nicholas Weiss, and Archival Processor, Ani Thubten Palmo, to come up with a few (select) gems, half a dozen or so, just to give a taste. This is what they selected:

Allen Ginsberg and David Henderson - from the  Naropa Wednesday Night Poetry Series June 24, 1981 - here


Allen Ginsberg, Jim Nisbet and Peter Lamborne Wilson (with Introduction by Anne Waldman and Bobbie Louise Hawkins), June 18, 1996 - here

From The Jack Kerouac Conference: Kerouac in the 80's, June 1, 1982 - Timothy Leary (Introduced by Diane di Prima) here

Letters To The New Century - three talks (given in 2001) by the late great Anselm Hollo, here, here, and here

and, June 18, 2009 - the Summer Writing Program Faculty Reading (with Anselm Hollo, Junior Burke,Janine Pommy Vega, Samuel R Delany and A.B.Spellman  (with Introductions by Bobbie Louise Hawkins and Akilah Oliver) - here


Wonderful to be able to report this news. Happy hunting!