The Jargon Society is now partnered with Black Mountain College & Museum

 

 

 

Good news for fans of the Jargon Society. From the website:

 

The Black Mountain College Museum + Arts Center is honored to announce that the Jargon Society, the highly significant small-press publisher founded in 1951 by Jonathan Williams (Asheville native, Black Mountain College alumnus, poet, publisher and photographer) is now under the museum’s auspices.

The Jargon Society was founded by Jonathan Williams and David Ruff in 1951 in a San Francisco Chinese restaurant. Jargon 1 was a folded pamphlet with a poem by Williams ("Garbage Litters the Iron Face of the Sun’s Child") and an etching by Ruff. Just 150 copies were produced. Jargon 2 was called "The Dancer" and consisted of a poem by Joel Oppenheimer and a drawing by Robert Rauschenberg. It was published at Black Mountain College soon after Williams’ arrival there in the summer of 1951.  Other Jargon publications included The Maximus Poems by Charles Olson, The Neugents by David M. Spear and many others.

Williams died in 2008 and is survived by his partner Thomas Meyer. It was Meyer who made the decision to give The Jargon Society inventory and rights to the Black Mountain College Museum + Arts Center.

Meyer had this to say about the new arrangement: “The Jargon Society has always championed outsiders, mavericks and the neglected, itself no stranger to same. Yet with the death of its founder, it seemed to me the time had come for the foundation to make some changes. The BMC Museum + Arts Center struck me as a perfect compass to provide new directions. Shared histories, shared aesthetics, and shared missions. In short, a perfect shelter, a perfect match."

Jonathan Williams’ publishing philosophy was to seek out writers, poets and photographers who pursued a singular path in their work and were under-recognized, outside of the mainstream, but deeply deserving of attention. Jargon books and publications were always beautifully designed and printed, expressing Williams’ unique aesthetic sensibility. He often paired artists, photographers and writers in a way previously unseen. There are 115 Jargon Society titles in the original series.  A number of these are rare, valuable and highly sought after by collectors. Of the 115 original titles in the Jargon catalogue, approximately 85 are books and another 30 are broadsides, pamphlets and other publications.

... Brian Butler, Board Chair of the BMC Museum + Arts Center states, “We are greatly honored to carry on the singular and extraordinary legacy of The Jargon Society. There is nothing quite like it in publishing history, and Jonathan's and Jargon's connection to Black Mountain College makes this an absolutely perfect fit for our organization. We look forward to the possibilities. While not by any means unsung, the importance of the Jargon Society’s publications is certainly not given near its proper canonical place in American publishing, in poetry, nor in its highly significant, indeed central, place in regards to the history of Black Mountain College. The Black Mountain College Museum + Arts Center is extremely proud to be the recipient of Jargon’s great tradition and thanks Thomas Meyer deeply for his confidence in our Museum.  We consider this gift a great sign of trust in the Museum’s mission and will treat the gift with the deep respect it deserves."

 

Above: Elite/Elate Poems (Jargon #91, 1979). Cover photograph of Little Enis Toadvine by Guy Mendes.